These Are The Top Studio Choom K-Pop Videos Of All-Time

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Mnet‘s Studio Choom allows K-Pop artists to show off their dancing skills both in group settings and as individuals. The videos’ cinematography makes the channel a highly requested stop for any K-Pop comeback.

Recently, Mnet shared data, including the top stats of its three-year history!

Most Starred Artist

102 teams and 554 artists appeared on the channel, with TXT appearing the most with ten videos.

Triple Crown

Stray Kids‘ “God Menu” video is the channel’s most watched, most liked, and the video that gained the most subscribers.

Most Shared

ITZY Yeji‘s Artist Of The Month video was the most shared at 652,000.

Most Viewed — Full Focused

ITZY‘s “WANNABE” is the channel’s most-watched full group-focused video, with over 35.5 million views.

 

Most Viewed — Unfiltered Cam

TWICE Jihyo‘s “Alcohol-Free” fan cam earned over 5 million views since its posting!

Most Viewed — Behind

SEVENTEEN‘s behind-the-scenes video for “Left & Right” earned over 2.5 million views.

Most Round Of Take

The BOYZ Juyeon‘s Artist Of The Month video had 138 takes.

Be Original — Most Viewed

TWICE’s “Alcohol-Free” was the most watched in 2021 with 29.9 million views, NMIXX‘s “O.O” was the most watched in 2022 with 36.2 million views, and IVE‘s “I AM” was the most watched in 2023 with 23.2 million views.

Most Viewed — YouTube Shorts

Jeon Somi‘s “Fast Forward” was the most watched with 8.7 million views, Stray Kids‘ “LALALALA” was the 2nd most watched with 5.5 million views, and ENHYPEN‘s “Bite Me” was the 3rd most watched with 5.3 million views.

Watch Times

ENHYPEN’s “Sweet Venom” was the most watched with 82.4% watch time rate, GOT7‘s “Poison” was the 2nd most watched with 81.9% watch time rate, and INI Masaya’s “Rocketeer” Cam was the 3rd most watched with 81.7% watch time rate.

Best Thumbnail

The best thumbnails for videos were based on the click-through rate. For girl groups, Sana from TWICE’s “I Can’t Stop Me” ranked first, and for boy groups, Cha Eunwoo for ASTRO‘s “One.”

 

 

 

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