The Fascinating Difference In The Songwriting Styles Of BTS’s RM And Suga
본문
BTS‘s RM and Suga are both widely acknowledged for their lyric-writing skills. But their perspectives are so different from each other while talking about the same subject that it is almost bewildering.
The two have lived and worked together in close proximity for over a decade. Yet somehow, they have developed very distinct approaches to songwriting that each stands out on its own merit.
The two songs “Seesaw” and “Strange” can be taken as examples here.
“Seesaw” is a solo song by Suga from Love Yourself: Answer. The song’s lyrics talk about a tumultuous relationship where both the parties are sick of the constant ups and downs, but both lack the courage to walk away from it first. Suga uses the visual effect of an actual seesaw going up and down to establish a sense of motion sickness and confusion in the song.
While discussing the songs on this album, RM talked about how he was amazed by Suga’s songwriting. He said that without any difficult words or concepts, he created a beautiful song like this. But according to him, if he were to approach the song with the same title, his approach would have been widely different.
its beyond foolish to come for namjoon when he writes literal lyrical masterpieces (such as the incredible champion remix verse) in his non-native tongue… he is a master of wordplay & conveying emotion in korean, english AND japanese so sit your ass down pic.twitter.com/4YmLjUBwWO
— joobs (@namjincollab) December 6, 2020
Namjoon’s wordplay is exceptional. He writes with depth, with substance, with passion, and with love. He transforms the ordinary into extraordinary. As a person who loves to write poems, I can learn a lot from him.
GENIUS SONGWRITER RM#Namjoon #김남준 #RM pic.twitter.com/hqalvlWY1w— ⁵sam⁷
(@kofibooksnjooni) March 3, 2021
Next comes the song “Strange.” It was a part of Suga’s second mixtape D-2 and RM had a feature on this song. The theme of the lyrics was a heavy one- discussing the perils of this capitalistic world.
Fans were blown away by the lyricism of the song and how differently the two rappers delivered their messages on the same topic.
yoongi doesn’t address you directly he makes a statement about the way the world is right now, and he delivers his verse as if he was a bit out of breath, inhales at the end of each bar (and we know hes mastered the use of his breath to strengthen his storytelling) pic.twitter.com/eioce5FNFf
—
⁷ in the box |
(@userbfIy) August 3, 2020
Meanwhile the first thing joon does is address you directly and instead of stressing syllables or using his breath the way yoongi does hes engaging directly with you so he stresses words — you think YOU got taste, oh baby HOW do YOU know — and Everything’s under Control pic.twitter.com/cQZnq51hjh
—
The consensus, in this case, seems to be that while Suga writes either from a third-person perspective or a very personal point of view, RM includes the listeners into the song from the get-go.
A similar instance would be the song “Paradise.” While RM directly addresses the listeners constantly — “Dream doesn’t need to be anything grand/ You can just become anyone.” On the other hand, Suga uses his personal viewpoint to say, “The world has no right to curse at me / It never has even taught me how to dream.”
SUGA on writing Paradise ????
“The world never teaches you how to dream, but it always promotes competition. I’d like many of those who are tired from the competition to listen to this song. I’d like those tired souls to find rest through ‘Paradise’.” @BTS_twt #방탄소년단 #BTS pic.twitter.com/5pcpGRRJiu
— mimi⁷ | my life: Bangtan (@jmserendipity13) November 16, 2021
Even though both of them are talking about the same thing, that those without a dream also deserve to live a full, satisfactory life, the difference in their storytelling is very vivid.
While there are definitely more examples that showcase the baseline of difference between the songwriting approach of these two, in the end, they come together to create a whole narrative that connects with the listeners from every angle.
관련자료
-
링크
